For the beginning of the week I commenced by writing down every single
animation idea I could think of linked to my theme. I came up with ten
different ideas as of which I then started to develop and see if I could link a
couple of them together to create more rounded stories. However, once I had
done this, one idea in particular stood out: The idea of two different people
from different countries trying to communicate in different languages and just
ending up screaming and shouting at each other in different languages. This
idea made me think of Jan Svankmajer's animation work in particular his 'Dimensions
of Dialogue' piece where the characters eat each other and spit each other out
again.
I would love to be able to recreate this
idea on flash. I also had the idea that these characters could 'tune' into each
other like a radio or television to be able to find the same wavelength to
communicate however this doesn't work and they just keep changing languages
struggling to connect.
I carried on watching a couple of
animations on video in order to be inspired by different animation style ideas.
In particular I absolutely loved 'My day' (2008) by Eamonn O Neill. ( http://vimeo.com/6253749 )
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| Fig 2 : My Day (2008) Eamonn O Neill |
What I liked mostly about this animation was the look and feel; the
2D and watercolour design. I loved the aggressiveness put into this animation
which is what made it original. A lot of it came from the character. I admired
the framing and change in proportions of each character to symbolise how they
feel and to accentuate the theme of personal space. The story is easy to relate
to. The situation of the man in the bus has surely happened to most of us
before. What I found interesting was the way that the situation was placed in a
public space, however through the different frames it feels placed in a private
space. This piece inspires me to accentuate lots of different frames in my
animation in order to show my story more. I think it will also help get convey
the notion of frustration to the spectator.

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